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Merge pull request #7022 from loopx-project/codex/content-media-methods-20261022
Merge the reviewed content-ops authoring and comparison guidance. Reviewed head: 592e382. Local qualification refreshed against main 2b598fe: diff hygiene, bilingual RFC gate, the three selected workflow smokes and the public-boundary scan passed. Exact-scope quality qualification was renewed after main advanced. A clean simulated merge preserves the reviewed protocol bytes. Current exact-head review and native merge-readiness passed; CI was not queried or awaited under the configured policy. Scoped maintainer authorization covers admin merge of this documentation PR. Signed-off-by: LoopX Agent <337587101+loopx-agent@users.noreply.github.com>
2 parents 2b598fe + 592e382 commit 449ecdc

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‎docs/reference/protocols/content-ops-media-v0.md‎

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@@ -129,9 +129,10 @@ or repair the existing extension and retry. No failure creates publication
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authority, fills missing footage, infers a creative pass or changes a Goal.
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Mechanical rendering, creative quality, audience understanding and operations
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impact have separate evidence. Future generated media and interactive
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learning providers should reuse the nearest content owner and comparison
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method; they are not silently activated by this protocol.
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impact have separate evidence. Generated image/video assets and footage from
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authored HTML, game or mini-world works can reuse this source-bound composition
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path. Choose their authoring tools for the requested work; a new form does not
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require another core workbench or activate an unconfigured provider.
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## Blender shot and project readback
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工作台沿现有入口显示“大画面”并制作、取消、重试和查看;停用扩展阻止新制作但
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保留已校验影片。回到旧构图时,移除字段后保存新修订再制作;旧版核心不会接受
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含新字段的计划。该选项不改变来源可见性、发布权限或全局配置。
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## Authoring and comparison practice
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The existing brief, revision and verified-file operations support this practical
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author workflow. These are creative decisions; `ready` retains the mechanical
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contract above.
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Start with the audience, message and factual source revision. Give each scene
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a communication job, then choose the form that serves it: readable 2D for exact
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guidance, actual interface states for product evidence, or authored spatial and
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interactive scenes when their relationships or actions help. A film need not
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contain every available technique. Keep edited, synthetic and illustrative
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material identified; an association, screenshot or source label does not prove
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an outcome. Preserve missing links and other qualifiers when reframing a source.
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Inspect the result at its intended viewing size. A source that fits its frame
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can still have unreadable text. For supplied artwork, resolve transparency on
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the intended background and inspect any crop before encoding. Titles that must
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be seen belong in supported visible content. Player captions, exported subtitle
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files and words drawn into source pixels are different deliverables. Check the
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actual speech and caption windows too: a system speech rate parameter does not
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establish the resulting phrase duration, naturalness or comprehension.
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Revise the work in response to an observed problem, keeping the earlier version
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and the reason for the change. Controlled excerpts answer a narrow question
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only when the compared script, sources, timing and other relevant conditions
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are recorded. Fully developed films may deliberately change those conditions
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to serve the same brief. Review each complete film for message, picture, sound,
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pacing, readability, possible misreadings and task fit; do not align different
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scripts at the same timestamp or infer a universal medium ranking. Record
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author judgment separately from independent audience observations. No audience
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evidence means no audience conclusion.
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Keep research, setup, paid calls, failed attempts, rework, rendering and review
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in the cost account. A timed render is one stage; missing costs stay unknown.
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Retain an editable project and its sources beside the verified outputs. A
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portable handoff benefits from an actual download, extraction and revised
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export, including playback seeking when comparison depends on it. Reusing a
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technique in the next requested work tests that specific reuse; it does not
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by itself establish audience benefit or lower total cost. Publication remains
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with the existing content-item lifecycle.
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中文:以下为创作建议,`ready` 仍代表上述机械合同。先明确读者、表达目的和事实版本,
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再给镜头分配叙事作用,按作用选二维、
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实际界面、空间或交互场景,不必把所有形式塞进一部片。重构图时保留缺口与限定,
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不把截图、关联或来源标签当结果证明。在实际观看尺寸检查文字、透明背景、裁切、
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可见标题及声音/字幕时序;播放器字幕、导出的字幕文件和素材内文字分别核对。
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系统语速参数不等于实际句长、自然度或理解效果。
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按观察到的问题实质改稿,保留旧版与修改原因。同条件片段用于回答具体问题,
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充分发展的整片允许按同一 brief 重写,但要记录脚本、来源、时序等混杂,不能
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将异稿按同秒伪装对照。分别审阅表达、画面、声音、节奏、可读性、误读与任务适用性,
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区分作者判断和独立观众证据;没有观众证据就保留未知。成本包含调研、搭建、
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付费调用和失败、返工、渲染、审核,不把局部计时当总成本。保留可修改工程及来源,
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可通过实际下载、解压、改稿导出和所需的播放寻址核对交付。下一作品的真实复用只证明
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该次复用,
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不自动证明理解收益或提效;原生就绪和发布权限的含义保持。

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