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MIDI: sysex to the graph, removed devices, latency, loop WAV writer - #965
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Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
…loop Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
… the execution state Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
- JACK recomputes port latencies on its own thread when the graph changes; a latency callback stores them in atomics the engine reads. - write_loop_wav writes RF64 when the data does not fit a RIFF header, and removes a file it failed to finish. - libremidi: one 14 to 32 bit upscale for pitch bend. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
An inlet's MIDI stream is recorded when it registers, and unregistering it uses that record rather than its address, whose device may be destroyed by then. A removed device's stream is dropped when the device change is applied, which now happens before a tick reads the streams. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
MIDI inputs ask the backend for sysex, and pass each UMP packet of it on its own: a full-frame timecode was dropped by the backend, then truncated to its first packet. A port bound to a channel takes only channel messages, so sysex no longer leaks into it. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
…ps its inlets A device removed and registered again before a tick, or a new one allocated where the old one was, kept losing the inlets already bound to it: the removal erased them after they had registered. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
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…heck Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
set_start_time and set_end_time scaled the musical position by t / date, which only holds when the position is proportional to the date. An item that starts later than musical time, e.g. a box later in a scenario, has dates relative to itself and quarters relative to the timeline: a looper there split at a grid point got a start of 18.45 quarters for 17. The position is now interpolated within the tick, as the frames are. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr
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Engine changes for score's MIDI effects and loopers.
Tested through score (ossia/score feature/midi-effects): 105 targeted test programs pass, including new execution_state tests for stale MIDI devices and closing a playing document.
🤖 Generated with Claude Code
https://claude.ai/code/session_01Qr9WkcUjEGCueg7eG1KxSr